I Am Legend
2007
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I Am Legend
is a 2007 American postapocalyptic science-fiction horror film directed by Francis Lawrence and starring Will Smith. It is the third feature-film adaptation of Richard Matheson's 1954 novel of the same name, following 1964's The Last Man on Earth and 1971's The Omega Man.[4] Smith plays virologist Robert Neville, who is immune to a man-made virus originally created to cure cancer. He works to create a remedy while defending himself against the virus' victims, who turn into hostile mutants.
Warner Bros. began developing I Am Legend in 1994, and various actors and directors were attached to the project, though production was delayed due to budgetary concerns related to the script. Production began in 2006 in New York City, filming mainly on location in the city, including a $5 million scene[5] at the Brooklyn Bridge.
I Am Legend was released on December 14, 2007, in the United States and Canada, and opened to the largest ever box office (not adjusted for inflation) for a non-Christmas film released in the U.S. in December. The film was the seventh-highest grossing film of 2007, earning $256 million domestically and $329 million internationally, for a total of $585 million.
Plot In 2009, a genetically re-engineered measles virus, originally created as a cure for cancer, turns into a lethal strain which kills 90% of those it infects, and mutates the remaining 10% into predatory, nocturnal "Darkseekers" who are extremely vulnerable to sunlight and other sources of UV. Three years after the outbreak, US Army virologist Lieutenant Colonel Robert Neville (Will Smith) lives an isolated life in New York City, which is now deserted, unsure if any other uninfected humans are left in the world.
Neville's daily routine includes experimentation on infected rats to find a cure for the virus and trips through Manhattan to hunt for food and supplies. He also waits each day for a response to his continuous recorded radio broadcasts, which instruct any uninfected survivors to meet him at midday at the South Street Seaport. Flashbacks reveal that his wife (Salli Richardson) and daughter (Willow Smith) died in a helicopter accident during the chaotic evacuation of Manhattan, prior to the military-enforced quarantine of the island in 2009. Neville's loneliness is mitigated only by the companionship of his German Shepherd, Sam, interaction with mannequins he has set up as patrons at a video store, and recordings of old television broadcasts. At night, he barricades himself and Sam inside his heavily fortified Washington Square Park home to hide from the Darkseekers. One day while hunting, Sam follows a deer into a dark building. Neville cautiously goes in after her and finds the deer's corpse along with Sam, but the building is infested by a colony of Darkseekers. Both manage to escape unharmed and the attacking Darkseekers are killed by the sunlight.
Neville finds a promising treatment derived from his own blood, so he sets a snare trap and captures a female Darkseeker while the alpha male Darkseeker watches from the shadows. Back in his laboratory in the basement of his house, Neville treats the female without success. The next day, he is ensnared in a trap similar to the one he used to capture the female, and by the time he manages to escape, it is dark and he is attacked by infected dogs. Sam and he manage to kill them, but Sam is bitten in the fight. Neville brings Sam home and injects her with a strand of his serum, but when she shows signs of infection and tries to attack him, Neville is forced to strangle her to death. The next night, driven over the edge by loneliness, he ventures out and suicidally attacks a group of Darkseekers. He is nearly killed, but is rescued by a pair of immune survivors, Anna (Alice Braga) and a young boy named Ethan (Charlie Tahan), who have traveled from Maryland after hearing one of his broadcasts. They take the injured Neville back to his home, where Anna explains that they survived the outbreak aboard a Red Cross evacuation ship from São Paulo and are making their way to a survivors' camp in Bethel, Vermont. Neville angrily argues that no such survivor's camp exists.
Neville once again attempts to administer a potential cure to the infected woman in his laboratory, but the next night, a group of Darkseekers, who had followed Anna and Neville back the night before, attacks the house and overruns its defenses. Neville, Anna, and Ethan retreat into the basement laboratory, sealing themselves in with the female Darkseeker on which Neville has been experimenting. Discovering that the last treatment was successful, Neville draws a vial of her blood and gives it to Anna, before shutting Ethan and her inside a coal chute in the back of the lab. He then takes a grenade and kills the Darkseekers and himself, saving the cure.
Alternate Ending The alpha male makes a butterfly-shaped smear on the glass. Neville realizes that the alpha male is identifying the female upon which he was experimenting by a butterfly tattoo, and the alpha male wants her back. Neville puts his gun down and returns the female. Neville and the alpha male both stare each other down; Neville apologizes to the Darkseekers; the alpha male accepts his apology, and the Darkseekers leave. Shocked by the ordeal, Neville sits down for a moment in his laboratory. Looking over the pictures of his numerous test subjects, the implications of his research methods begin to dawn on him. The final shot follows Neville, Anna, and Ethan as they drive away towards the survivor's camp in Vermont with the antidote.
Cast
Development Washington Square on October 31, 2006: The area is being set up for an evening shooting. In the background is the house where Will Smith's character lives. The late 1990s brought a reemergence of the science-fiction horror genre.[6] In 1995, Warner Bros. began developing the film project, having owned the rights to Richard Matheson's 1954 novel I Am Legend since 1970[7] and having already made the 1971 adaptation The Omega Man. Mark Protosevich was hired to write the script after the studio was impressed with his spec script of The Cell. Protosevich's first draft took place in 2000 in San Francisco, and contained many similarities with the finished film, though the Darkseekers (called 'Hemocytes') were civilized to the point of the creatures in The Omega Man and Anna was a lone morphine addict, as well as the fact that a Hemocyte character named Christopher joined forces with Neville. Warner Bros. immediately put the film on the fast track, attaching Neal H. Moritz as producer.[6]
Actors Tom Cruise, Michael Douglas,[8] and Mel Gibson[6] had been considered to star in the film,[8] using a script by Protosevich and with Ridley Scott as director; however, by June 1997, the studio's preference was for actor Arnold Schwarzenegger. In July, Scott and Schwarzenegger finalized negotiations,[9] with production slated to begin the coming September,[8] using Houston as a stand-in for the film's setting of Los Angeles.[10] Scott had Protosevich replaced by a screenwriter of his own choosing, John Logan, with whom he spent months of intensive work on a number of different drafts. The Scott/Logan version of I Am Legend was a mix of sci-fi and psychological thriller, without dialogue in the first hour and with a sombre ending.[6] The creatures in Logan's version were similar to the Darkseekers of the finished film in their animalistic, barbaric nature. The studio, fearing its lack of commercial appeal and merchandising potential, began to worry about the liberties they had given Scott – then on a negative streak of box office disappointments – and urged the production team to reconsider the lack of action in the screenplay. After an "esoteric" draft by writer Neal Jimenez, Warner Bros. reassigned Protosevich to the project, reluctantly working with Scott again.[6]
In December 1997, the project was called into question when the projected budget escalated to $108 million due to media and shareholder scrutiny of the studio in financing a big-budget film.[11] Scott rewrote the script in an attempt to reduce the film's budget by $20 million,[12] but in March 1998, the studio canceled the project due to continued budgetary concerns,[13] and quite possibly to the box office disappointment of Scott's last three films, 1492: Conquest of Paradise, White Squall, and G.I. Jane.[6] Likewise, Schwarzenegger's recent films at the time (Eraser and Warner Bros. own Batman & Robin) also underperformed, and the studio's latest experiences with big budget sci-fi movies Sphere and The Postman were negative, as well.[6] In August 1998, director Rob Bowman was attached to the project,[14] with Protosevich hired to write a third all-new draft, far more action-oriented than his previous versions,[6] but the director (who reportedly wished for Nicolas Cage to play the lead) moved on to direct Reign of Fire[15] and the project did not get off the ground.
In March 2002, Schwarzenegger became the producer of I Am Legend, commencing negotiations with Michael Bay to direct and Will Smith to star in the film.[16] Bay and Smith were attracted to the project based on a redraft that would reduce its budget.[17] However, the project was shelved due to Warner Bros. president Alan F. Horn's dislike of the script.[18] In 2004, Akiva Goldsman was asked by head of production Jeff Robinov to produce the film.[19] In September 2005, director Francis Lawrence signed on to helm the project, with production slated to begin in 2006. Guillermo del Toro was originally approached to direct by Smith, but turned it down to direct Hellboy II: The Golden Army.[20] Lawrence, whose film Constantine was produced by Goldsman, was fascinated by empty urban environments. He said, "Something's always really excited me about that... to have experienced that much loss, to be without people or any kind of social interaction for that long."[19]
Goldsman took on the project as he admired the second I Am Legend film adaptation, The Omega Man.[21] A rewrite was done to distance the project from the other zombie films inspired by the novel,[16] as well as from the recently released 28 Days Later, although Goldsman was inspired by the scenes of a deserted London in the British horror film to create the scenes of a deserted New York City.[21] A 40-page scene-by-scene outline of the film was developed by May 2006. When delays occurred on Smith's film Hancock, which was scheduled for 2007, it was proposed to switch the actor's films. This meant filming would have to begin in 16 weeks: production was given a green light, using Goldsman's script and the outline.[19] Elements from Protosevich's script were introduced, while the crew consulted with experts on infectious diseases and solitary confinement.[21] Rewrites continued throughout filming, because of Smith's improvisational skills and Lawrence's preference to keep various scenes silent.[19] The director had watched Jane Campion’s film The Piano with a low volume so as to not disturb his newborn son, and realized that silence could be very effective cinema.[22]
Casting Will Smith signed on to play Robert Neville in April 2006.[23] He said he took on I Am Legend because he felt it could be like "Gladiator [or] Forrest Gump—these are movies with wonderful, audience-pleasing elements, but also uncompromised artistic value. [This] always felt like it had those possibilities to me."[21] The actor found Neville to be his toughest acting challenge since portraying Muhammad Ali in Ali (2001). He said that "when you're on your own, it is kind of hard to find conflict." The film's dark tone and exploration of whether Neville has gone insane during his isolation meant Smith had to restrain himself from falling into a humorous routine during takes.[24] To prepare for his role, Smith visited the Centers for Disease Control and Prevention in Georgia. He also met with a person who had been in solitary confinement and a former prisoner of war.[25] Smith compared Neville to Job, who lost his children, livelihood, and health. Like the Book of Job, I Am Legend studies the questions, "Can he find a reason to continue? Can he find the hope or desire to excel and advance in life? Or does the death of everything around him create imminent death for himself?"[16] He also cited an influence in Tom Hanks' performance in Cast Away (2000).[21]
Abbey and Kona, both three-year-old German Shepherd dogs, played Neville's dog Sam.[26] The rest of the supporting cast consists of Salli Richardson as Zoe, Robert's wife,[27] and Alice Braga as a survivor named Anna.[27] Willow Smith, Will Smith's daughter, makes her film debut as Marley, Neville's daughter.[28] Emma Thompson has an uncredited role as Dr. Alice Krippin, who appears on television explaining her vaccine for cancer that mutates into the virus.[29] Singer Mike Patton provided the guttural screams of the infected "hemocytes", and Dash Mihok provided the character animation for the infected "alpha male". Several filler characters with uncredited roles were in old news broadcasts and flashbacks, such as the unnamed President's voice (Pat Fraley), and the cast of The Today Show.
Filming The Brooklyn Bridge, where a $5-million scene was filmed Marcy Avenue Armory Akiva Goldsman decided to move the story from Los Angeles to New York City to take advantage of locations that would more easily show emptiness.[7] Goldsman explained, "L.A. looks empty at three o'clock in the afternoon, [but] New York is never empty . . . it was a much more interesting way of showing the windswept emptiness of the world."[24] Warner Bros. initially rejected this idea because of the logistics,[19] but Francis Lawrence was determined to shoot on location, to give the film a natural feel that would benefit from not shooting on soundstages. Lawrence went to the city with a camcorder, and filmed areas filled with crowds. Then, a special effects test was conducted to remove all those people. The test had a powerful effect on studio executives.[22] Michael Tadross convinced authorities to close busy areas such as the Grand Central Terminal viaduct, several blocks of Fifth Avenue, and Washington Square Park.[19] The film was shot primarily in the anamorphic format, with flashback scenes shot in Super 35.[30]
Filming began on September 23, 2006.[31] The Marcy Avenue Armory in Williamsburg was used for the interior of Neville's home,[24] while Greenwich Village was used for the exterior.[16] Other locations include the Tribeca section of lower Manhattan, the aircraft carrier Intrepid, the Kingsbridge Armory in the Bronx, and St. Patrick's Cathedral.[7] Weeds were imported from Florida and were strewn across locations to make the city look like it had been overgrown with them.[19] The closure of major streets was controversial with New Yorkers. Will Smith said, "I don't think anyone's going to be able to do that in New York again anytime soon. People were not happy. That's the most middle fingers I've ever gotten in my career."[16]
A bridge scene was filmed for six consecutive nights in January on the Brooklyn Bridge to serve as a flashback scene in which New York's citizens evacuate the city. Shooting the scene consumed $5 million of the film's reported $150 million budget, which was likely the most expensive shot in the city to date. The scene, which had to meet requirements from 14 government agencies, involved 250 crew members and 1,000 extras, including 160 National Guard members.[32][33] Also present were several Humvees, three Strykers, a 110-foot (34 m) cutter, a 41-foot (12 m) utility boat, and two 25-foot (7.6 m) response boat small craft, as well as other vehicles including taxis, police cars, fire trucks, and ambulances.[34] Filming concluded on March 31, 2007.[31] Computer-generated imagery (CGI) was used to depict the main spans of the Brooklyn Bridge and the Manhattan Bridge collapsing as missiles from passing military jets blew them up to quarantine Manhattan island.
Reshoots were conducted around November 2007. Lawrence noted, "We weren't seeing fully rendered shots until about a month ago. The movie starts to take on a whole other life. It's not until later that you can judge a movie as a whole and go, 'Huh, maybe we should shoot this little piece in the middle, or tweak this a little bit.' It just so happened that our re-shoots revolved around the end of the movie."[35]
Effects A week into filming, Francis felt the infected (referred to as "Darkseekers" or "hemocytes" in the script), who were being portrayed by actors wearing prosthetics, were not convincing. His decision to use CGI resulted in an increased budget and extended post-production, although the end results were not always well received.[36][37] The concept behind the infected was that their adrenal glands were open all of the time and Lawrence explained, "They needed to have an abandon in their performance that you just can’t get out of people in the middle of the night when they’re barefoot. And their metabolisms are really spiked, so they’re constantly hyperventilating, which you can’t really get actors to do for a long time or they pass out."[19] The actors remained on set to provide motion capture.[24][38] "The film's producers and sound people wanted the creatures in the movie to sound somewhat human, but not the standard", so Mike Patton, lead singer of Faith No More, was engaged to provide the screams and howls of the infected.[39]
In addition, CGI was used for the lions and deer in the film, and to erase pedestrians in shots of New York. Workers visible in windows, spectators, and moving cars in the distance were all removed. In his vision of an empty New York, Lawrence cited John Ford as his influence: "We didn't want to make an apocalyptic movie where the landscape felt apocalyptic. A lot of the movie takes place on a beautiful day. There's something magical about the empty city as opposed to dark and scary that was the ideal that the cast and crew wanted."[21]
Release I Am Legend was originally slated for a November 21, 2007, release in the United States and Canada,[40] but was delayed to December 14.[41] The film opened on December 26, 2007, in the United Kingdom,[42] and Ireland, having been originally scheduled for January 4, 2008.[24]
In December 2007, China banned the release of American films in the country,[43] which is believed to have delayed the release of I Am Legend. Will Smith spoke to the chairman of China Film Group about securing a release date, later explaining, "We struggled very, very hard to try to get it to work out, but there are only a certain amount of foreign films that are allowed in."[25]
Premieres were held in Tokyo, New York, and London. At the London premiere in Leicester Square, British comedian and actor Neg Dupree was arrested after pushing his way onto the red carpet and running around shouting "I am Legend!".[44] The stunt was part of his "Neg's Urban Sports" section of comedy game show Balls of Steel.
Marketing A tie-in comic from DC Comics and Vertigo Comics has been created, I Am Legend: Awakening.[45] The project draws upon collaboration from Bill Sienkiewicz, screenwriter Mark Protosevich, and author Orson Scott Card. The son of the original book's author, Richard Christian Matheson, also collaborated on the project. The project will advance from the comic to an online format in which animated featurettes (created by the team from Broken Saints) will be shown on the official website.[46]
In October 2007, Warner Bros. Pictures, in conjunction with the Electric Sheep Company, launched the online multiplayer game I Am Legend: Survival in the virtual world Second Life. The game is the largest launched in the virtual world in support of a film release, permitting people to play against each other as the infected or the uninfected across a replicated 60 acres (240,000 m2) of New York City.[47] The studio also hired the ad agency Crew Creative to develop a website that would be specifically viewable on the iPhone.[48]
Box office I Am Legend grossed $77,211,321 on its opening weekend in 3,606 theaters, averaging $21,412 per venue, and placing it at the top of the box office. This set a record for highest-grossing opening for a film for December.[49] The film grossed $256,393,010 in North America and a total of $585,349,010 worldwide.[50] The film was the sixth-highest grossing film of 2007 in North America, and as of April 2014, it still stands among the top 100 all-time highest-grossing films both domestically and worldwide (unadjusted for ticket price inflation).[50]
Critical response Most critics were favorable towards the film.[57] The consensus among favorable reviews was that Will Smith's performance overcame questionable special effects.[58] Review aggregation website Rotten Tomatoes gave the film a score of 70%, based on 209 reviews.[59] At the similar website Metacritic, which assigns a rating out of 100 to each review, the film has received an average score of 65, based on 37 reviews.[60]
A. O. Scott wrote that Will Smith gave a "graceful and effortless performance" and also noted the "third-act collapse". He felt that the movie "does ponder some pretty deep questions about the collapse and persistence of human civilization".[61] Dana Stevens of Slate wrote that the movie lost its way around the hour mark, noting that "the Infected just aren't that scary."[29] NPR critic Bob Mondello noted the film's subtext concerning global terrorism and that this aspect made the film fit in perfectly with other, more direct cinematic explorations of the subject.[62] Richard Roeper gave the film a positive review on the television program At the Movies with Ebert & Roeper, commending Will Smith as being in "prime form", also saying there are "some amazing sequences" and that there was "a pretty heavy screenplay for an action film."[63] The film has been criticized for diverging from Matheson's novel, especially in its portrayal of a specifically Christian theme.[64] Much of the negative criticism has concerned the film's third act,[36][37][65] some critics favoring the alternative ending in the DVD release.[51]
Popular Mechanics published an article on December 14, 2007,[66] addressing some of the scientific issues raised by the film:
Philosopher Slavoj Zizek criticized the film politically as being the most regressive adaptation from the novel. He claimed that while the original novel had a progressive multicultural message where Neville became a "legend" to the new creatures and is subsequently killed by them (much like vampires were legends to humans), the 2007 film finds a cure for the Darkseekers and it is delivered by a survivor through apparent divine intervention. According to Zizek, this misses the original message and "openly opt[s] for religious fundamentalism."[67]
Accolades I Am Legend earned four nominations for the Visual Effects Society awards,[68] and was also nominated for Outstanding Performance by a Stunt Ensemble at the Screen Actors Guild Awards,[69] Outstanding Film and Actor at the Image Awards,[70] and Best Sound at the Satellite Awards. In June 2008, Will Smith won a Saturn Award for Best Actor.[71] Will Smith also won the MTV Movie Awards for Best Male Performance.[72]
Possible sequel or prequel Francis Lawrence said in late 2008 that there would be a prequel and that Will Smith would be reprising his role. He stated that the film would reveal what happens to Neville before the infected take over New York. D. B. Weiss was recruited to write the script, while Lawrence would direct "if we figure out the story". Smith stated the film would have Neville and his team going from New York City to Washington, D.C. and back again, as they made their last stand.[73] The film would again explore the premise of what it is like to be alone, as Lawrence explained, "... the tough thing is, how do we do that again and in a different way?"[74]
On May 3, 2011, Francis Lawrence stated that, so far as it involved him, the prequel was dead, with Lawrence stating, "I don't think that's ever going to happen."[75]
In 2012, Warner Bros. announced that deals had been made to produce "another installment" (not necessarily the rumored prequel), with the intention of having Will Smith reprise his role.[76]
is a 2007 American postapocalyptic science-fiction horror film directed by Francis Lawrence and starring Will Smith. It is the third feature-film adaptation of Richard Matheson's 1954 novel of the same name, following 1964's The Last Man on Earth and 1971's The Omega Man.[4] Smith plays virologist Robert Neville, who is immune to a man-made virus originally created to cure cancer. He works to create a remedy while defending himself against the virus' victims, who turn into hostile mutants.
Warner Bros. began developing I Am Legend in 1994, and various actors and directors were attached to the project, though production was delayed due to budgetary concerns related to the script. Production began in 2006 in New York City, filming mainly on location in the city, including a $5 million scene[5] at the Brooklyn Bridge.
I Am Legend was released on December 14, 2007, in the United States and Canada, and opened to the largest ever box office (not adjusted for inflation) for a non-Christmas film released in the U.S. in December. The film was the seventh-highest grossing film of 2007, earning $256 million domestically and $329 million internationally, for a total of $585 million.
Plot In 2009, a genetically re-engineered measles virus, originally created as a cure for cancer, turns into a lethal strain which kills 90% of those it infects, and mutates the remaining 10% into predatory, nocturnal "Darkseekers" who are extremely vulnerable to sunlight and other sources of UV. Three years after the outbreak, US Army virologist Lieutenant Colonel Robert Neville (Will Smith) lives an isolated life in New York City, which is now deserted, unsure if any other uninfected humans are left in the world.
Neville's daily routine includes experimentation on infected rats to find a cure for the virus and trips through Manhattan to hunt for food and supplies. He also waits each day for a response to his continuous recorded radio broadcasts, which instruct any uninfected survivors to meet him at midday at the South Street Seaport. Flashbacks reveal that his wife (Salli Richardson) and daughter (Willow Smith) died in a helicopter accident during the chaotic evacuation of Manhattan, prior to the military-enforced quarantine of the island in 2009. Neville's loneliness is mitigated only by the companionship of his German Shepherd, Sam, interaction with mannequins he has set up as patrons at a video store, and recordings of old television broadcasts. At night, he barricades himself and Sam inside his heavily fortified Washington Square Park home to hide from the Darkseekers. One day while hunting, Sam follows a deer into a dark building. Neville cautiously goes in after her and finds the deer's corpse along with Sam, but the building is infested by a colony of Darkseekers. Both manage to escape unharmed and the attacking Darkseekers are killed by the sunlight.
Neville finds a promising treatment derived from his own blood, so he sets a snare trap and captures a female Darkseeker while the alpha male Darkseeker watches from the shadows. Back in his laboratory in the basement of his house, Neville treats the female without success. The next day, he is ensnared in a trap similar to the one he used to capture the female, and by the time he manages to escape, it is dark and he is attacked by infected dogs. Sam and he manage to kill them, but Sam is bitten in the fight. Neville brings Sam home and injects her with a strand of his serum, but when she shows signs of infection and tries to attack him, Neville is forced to strangle her to death. The next night, driven over the edge by loneliness, he ventures out and suicidally attacks a group of Darkseekers. He is nearly killed, but is rescued by a pair of immune survivors, Anna (Alice Braga) and a young boy named Ethan (Charlie Tahan), who have traveled from Maryland after hearing one of his broadcasts. They take the injured Neville back to his home, where Anna explains that they survived the outbreak aboard a Red Cross evacuation ship from São Paulo and are making their way to a survivors' camp in Bethel, Vermont. Neville angrily argues that no such survivor's camp exists.
Neville once again attempts to administer a potential cure to the infected woman in his laboratory, but the next night, a group of Darkseekers, who had followed Anna and Neville back the night before, attacks the house and overruns its defenses. Neville, Anna, and Ethan retreat into the basement laboratory, sealing themselves in with the female Darkseeker on which Neville has been experimenting. Discovering that the last treatment was successful, Neville draws a vial of her blood and gives it to Anna, before shutting Ethan and her inside a coal chute in the back of the lab. He then takes a grenade and kills the Darkseekers and himself, saving the cure.
Alternate Ending The alpha male makes a butterfly-shaped smear on the glass. Neville realizes that the alpha male is identifying the female upon which he was experimenting by a butterfly tattoo, and the alpha male wants her back. Neville puts his gun down and returns the female. Neville and the alpha male both stare each other down; Neville apologizes to the Darkseekers; the alpha male accepts his apology, and the Darkseekers leave. Shocked by the ordeal, Neville sits down for a moment in his laboratory. Looking over the pictures of his numerous test subjects, the implications of his research methods begin to dawn on him. The final shot follows Neville, Anna, and Ethan as they drive away towards the survivor's camp in Vermont with the antidote.
Cast
- Will Smith as Dr. Robert Neville: A former U.S. Army medical doctor and scientist before the worldwide plague, he loses his wife and daughter in a helicopter crash shortly after Manhattan is quarantined, and spends the next three years trying to find a cure while defending himself against the Darkseekers. He is immune to the virus and uses vials of his blood to try to create a cure.
- Alice Braga as Anna Montez: A survivor from Brazil, she spent days harbored on a Red Cross ship in Philadelphia; after the city was overrun, she stayed with Ethan and several other survivors on the ship, but eventually, only Ethan and she survived, since they were immune and the others were either infected or killed. She followed Neville's broadcasts to track him.
- Charlie Tahan as Ethan: A boy from Philadelphia, he spent days on the ship with Anna and accompanied her when the ship was overrun.
- Dash Mihok as the Darkseekers' alpha male
- Abbey and Kona as "Sam" Samantha: Neville's dog and only companion for three years
- Emma Thompson as Dr. Alice Krippin: The doctor who creates the cancer cure, she inadvertently brings mankind to the brink of extinction; Neville dubs the virus "the Krippin virus".
- Salli Richardson as Zoe Neville, Robert's wife
- Willow Smith as Marley Neville, Robert's daughter
- Lauren Haley as Darkseekers' alpha female
- Darrell Foster as Mike
- Pat Fraley as voice of the President of the United States
- Mike Patton as voices of the Darkseekers
Development Washington Square on October 31, 2006: The area is being set up for an evening shooting. In the background is the house where Will Smith's character lives. The late 1990s brought a reemergence of the science-fiction horror genre.[6] In 1995, Warner Bros. began developing the film project, having owned the rights to Richard Matheson's 1954 novel I Am Legend since 1970[7] and having already made the 1971 adaptation The Omega Man. Mark Protosevich was hired to write the script after the studio was impressed with his spec script of The Cell. Protosevich's first draft took place in 2000 in San Francisco, and contained many similarities with the finished film, though the Darkseekers (called 'Hemocytes') were civilized to the point of the creatures in The Omega Man and Anna was a lone morphine addict, as well as the fact that a Hemocyte character named Christopher joined forces with Neville. Warner Bros. immediately put the film on the fast track, attaching Neal H. Moritz as producer.[6]
Actors Tom Cruise, Michael Douglas,[8] and Mel Gibson[6] had been considered to star in the film,[8] using a script by Protosevich and with Ridley Scott as director; however, by June 1997, the studio's preference was for actor Arnold Schwarzenegger. In July, Scott and Schwarzenegger finalized negotiations,[9] with production slated to begin the coming September,[8] using Houston as a stand-in for the film's setting of Los Angeles.[10] Scott had Protosevich replaced by a screenwriter of his own choosing, John Logan, with whom he spent months of intensive work on a number of different drafts. The Scott/Logan version of I Am Legend was a mix of sci-fi and psychological thriller, without dialogue in the first hour and with a sombre ending.[6] The creatures in Logan's version were similar to the Darkseekers of the finished film in their animalistic, barbaric nature. The studio, fearing its lack of commercial appeal and merchandising potential, began to worry about the liberties they had given Scott – then on a negative streak of box office disappointments – and urged the production team to reconsider the lack of action in the screenplay. After an "esoteric" draft by writer Neal Jimenez, Warner Bros. reassigned Protosevich to the project, reluctantly working with Scott again.[6]
In December 1997, the project was called into question when the projected budget escalated to $108 million due to media and shareholder scrutiny of the studio in financing a big-budget film.[11] Scott rewrote the script in an attempt to reduce the film's budget by $20 million,[12] but in March 1998, the studio canceled the project due to continued budgetary concerns,[13] and quite possibly to the box office disappointment of Scott's last three films, 1492: Conquest of Paradise, White Squall, and G.I. Jane.[6] Likewise, Schwarzenegger's recent films at the time (Eraser and Warner Bros. own Batman & Robin) also underperformed, and the studio's latest experiences with big budget sci-fi movies Sphere and The Postman were negative, as well.[6] In August 1998, director Rob Bowman was attached to the project,[14] with Protosevich hired to write a third all-new draft, far more action-oriented than his previous versions,[6] but the director (who reportedly wished for Nicolas Cage to play the lead) moved on to direct Reign of Fire[15] and the project did not get off the ground.
In March 2002, Schwarzenegger became the producer of I Am Legend, commencing negotiations with Michael Bay to direct and Will Smith to star in the film.[16] Bay and Smith were attracted to the project based on a redraft that would reduce its budget.[17] However, the project was shelved due to Warner Bros. president Alan F. Horn's dislike of the script.[18] In 2004, Akiva Goldsman was asked by head of production Jeff Robinov to produce the film.[19] In September 2005, director Francis Lawrence signed on to helm the project, with production slated to begin in 2006. Guillermo del Toro was originally approached to direct by Smith, but turned it down to direct Hellboy II: The Golden Army.[20] Lawrence, whose film Constantine was produced by Goldsman, was fascinated by empty urban environments. He said, "Something's always really excited me about that... to have experienced that much loss, to be without people or any kind of social interaction for that long."[19]
Goldsman took on the project as he admired the second I Am Legend film adaptation, The Omega Man.[21] A rewrite was done to distance the project from the other zombie films inspired by the novel,[16] as well as from the recently released 28 Days Later, although Goldsman was inspired by the scenes of a deserted London in the British horror film to create the scenes of a deserted New York City.[21] A 40-page scene-by-scene outline of the film was developed by May 2006. When delays occurred on Smith's film Hancock, which was scheduled for 2007, it was proposed to switch the actor's films. This meant filming would have to begin in 16 weeks: production was given a green light, using Goldsman's script and the outline.[19] Elements from Protosevich's script were introduced, while the crew consulted with experts on infectious diseases and solitary confinement.[21] Rewrites continued throughout filming, because of Smith's improvisational skills and Lawrence's preference to keep various scenes silent.[19] The director had watched Jane Campion’s film The Piano with a low volume so as to not disturb his newborn son, and realized that silence could be very effective cinema.[22]
Casting Will Smith signed on to play Robert Neville in April 2006.[23] He said he took on I Am Legend because he felt it could be like "Gladiator [or] Forrest Gump—these are movies with wonderful, audience-pleasing elements, but also uncompromised artistic value. [This] always felt like it had those possibilities to me."[21] The actor found Neville to be his toughest acting challenge since portraying Muhammad Ali in Ali (2001). He said that "when you're on your own, it is kind of hard to find conflict." The film's dark tone and exploration of whether Neville has gone insane during his isolation meant Smith had to restrain himself from falling into a humorous routine during takes.[24] To prepare for his role, Smith visited the Centers for Disease Control and Prevention in Georgia. He also met with a person who had been in solitary confinement and a former prisoner of war.[25] Smith compared Neville to Job, who lost his children, livelihood, and health. Like the Book of Job, I Am Legend studies the questions, "Can he find a reason to continue? Can he find the hope or desire to excel and advance in life? Or does the death of everything around him create imminent death for himself?"[16] He also cited an influence in Tom Hanks' performance in Cast Away (2000).[21]
Abbey and Kona, both three-year-old German Shepherd dogs, played Neville's dog Sam.[26] The rest of the supporting cast consists of Salli Richardson as Zoe, Robert's wife,[27] and Alice Braga as a survivor named Anna.[27] Willow Smith, Will Smith's daughter, makes her film debut as Marley, Neville's daughter.[28] Emma Thompson has an uncredited role as Dr. Alice Krippin, who appears on television explaining her vaccine for cancer that mutates into the virus.[29] Singer Mike Patton provided the guttural screams of the infected "hemocytes", and Dash Mihok provided the character animation for the infected "alpha male". Several filler characters with uncredited roles were in old news broadcasts and flashbacks, such as the unnamed President's voice (Pat Fraley), and the cast of The Today Show.
Filming The Brooklyn Bridge, where a $5-million scene was filmed Marcy Avenue Armory Akiva Goldsman decided to move the story from Los Angeles to New York City to take advantage of locations that would more easily show emptiness.[7] Goldsman explained, "L.A. looks empty at three o'clock in the afternoon, [but] New York is never empty . . . it was a much more interesting way of showing the windswept emptiness of the world."[24] Warner Bros. initially rejected this idea because of the logistics,[19] but Francis Lawrence was determined to shoot on location, to give the film a natural feel that would benefit from not shooting on soundstages. Lawrence went to the city with a camcorder, and filmed areas filled with crowds. Then, a special effects test was conducted to remove all those people. The test had a powerful effect on studio executives.[22] Michael Tadross convinced authorities to close busy areas such as the Grand Central Terminal viaduct, several blocks of Fifth Avenue, and Washington Square Park.[19] The film was shot primarily in the anamorphic format, with flashback scenes shot in Super 35.[30]
Filming began on September 23, 2006.[31] The Marcy Avenue Armory in Williamsburg was used for the interior of Neville's home,[24] while Greenwich Village was used for the exterior.[16] Other locations include the Tribeca section of lower Manhattan, the aircraft carrier Intrepid, the Kingsbridge Armory in the Bronx, and St. Patrick's Cathedral.[7] Weeds were imported from Florida and were strewn across locations to make the city look like it had been overgrown with them.[19] The closure of major streets was controversial with New Yorkers. Will Smith said, "I don't think anyone's going to be able to do that in New York again anytime soon. People were not happy. That's the most middle fingers I've ever gotten in my career."[16]
A bridge scene was filmed for six consecutive nights in January on the Brooklyn Bridge to serve as a flashback scene in which New York's citizens evacuate the city. Shooting the scene consumed $5 million of the film's reported $150 million budget, which was likely the most expensive shot in the city to date. The scene, which had to meet requirements from 14 government agencies, involved 250 crew members and 1,000 extras, including 160 National Guard members.[32][33] Also present were several Humvees, three Strykers, a 110-foot (34 m) cutter, a 41-foot (12 m) utility boat, and two 25-foot (7.6 m) response boat small craft, as well as other vehicles including taxis, police cars, fire trucks, and ambulances.[34] Filming concluded on March 31, 2007.[31] Computer-generated imagery (CGI) was used to depict the main spans of the Brooklyn Bridge and the Manhattan Bridge collapsing as missiles from passing military jets blew them up to quarantine Manhattan island.
Reshoots were conducted around November 2007. Lawrence noted, "We weren't seeing fully rendered shots until about a month ago. The movie starts to take on a whole other life. It's not until later that you can judge a movie as a whole and go, 'Huh, maybe we should shoot this little piece in the middle, or tweak this a little bit.' It just so happened that our re-shoots revolved around the end of the movie."[35]
Effects A week into filming, Francis felt the infected (referred to as "Darkseekers" or "hemocytes" in the script), who were being portrayed by actors wearing prosthetics, were not convincing. His decision to use CGI resulted in an increased budget and extended post-production, although the end results were not always well received.[36][37] The concept behind the infected was that their adrenal glands were open all of the time and Lawrence explained, "They needed to have an abandon in their performance that you just can’t get out of people in the middle of the night when they’re barefoot. And their metabolisms are really spiked, so they’re constantly hyperventilating, which you can’t really get actors to do for a long time or they pass out."[19] The actors remained on set to provide motion capture.[24][38] "The film's producers and sound people wanted the creatures in the movie to sound somewhat human, but not the standard", so Mike Patton, lead singer of Faith No More, was engaged to provide the screams and howls of the infected.[39]
In addition, CGI was used for the lions and deer in the film, and to erase pedestrians in shots of New York. Workers visible in windows, spectators, and moving cars in the distance were all removed. In his vision of an empty New York, Lawrence cited John Ford as his influence: "We didn't want to make an apocalyptic movie where the landscape felt apocalyptic. A lot of the movie takes place on a beautiful day. There's something magical about the empty city as opposed to dark and scary that was the ideal that the cast and crew wanted."[21]
Release I Am Legend was originally slated for a November 21, 2007, release in the United States and Canada,[40] but was delayed to December 14.[41] The film opened on December 26, 2007, in the United Kingdom,[42] and Ireland, having been originally scheduled for January 4, 2008.[24]
In December 2007, China banned the release of American films in the country,[43] which is believed to have delayed the release of I Am Legend. Will Smith spoke to the chairman of China Film Group about securing a release date, later explaining, "We struggled very, very hard to try to get it to work out, but there are only a certain amount of foreign films that are allowed in."[25]
Premieres were held in Tokyo, New York, and London. At the London premiere in Leicester Square, British comedian and actor Neg Dupree was arrested after pushing his way onto the red carpet and running around shouting "I am Legend!".[44] The stunt was part of his "Neg's Urban Sports" section of comedy game show Balls of Steel.
Marketing A tie-in comic from DC Comics and Vertigo Comics has been created, I Am Legend: Awakening.[45] The project draws upon collaboration from Bill Sienkiewicz, screenwriter Mark Protosevich, and author Orson Scott Card. The son of the original book's author, Richard Christian Matheson, also collaborated on the project. The project will advance from the comic to an online format in which animated featurettes (created by the team from Broken Saints) will be shown on the official website.[46]
In October 2007, Warner Bros. Pictures, in conjunction with the Electric Sheep Company, launched the online multiplayer game I Am Legend: Survival in the virtual world Second Life. The game is the largest launched in the virtual world in support of a film release, permitting people to play against each other as the infected or the uninfected across a replicated 60 acres (240,000 m2) of New York City.[47] The studio also hired the ad agency Crew Creative to develop a website that would be specifically viewable on the iPhone.[48]
Box office I Am Legend grossed $77,211,321 on its opening weekend in 3,606 theaters, averaging $21,412 per venue, and placing it at the top of the box office. This set a record for highest-grossing opening for a film for December.[49] The film grossed $256,393,010 in North America and a total of $585,349,010 worldwide.[50] The film was the sixth-highest grossing film of 2007 in North America, and as of April 2014, it still stands among the top 100 all-time highest-grossing films both domestically and worldwide (unadjusted for ticket price inflation).[50]
Critical response Most critics were favorable towards the film.[57] The consensus among favorable reviews was that Will Smith's performance overcame questionable special effects.[58] Review aggregation website Rotten Tomatoes gave the film a score of 70%, based on 209 reviews.[59] At the similar website Metacritic, which assigns a rating out of 100 to each review, the film has received an average score of 65, based on 37 reviews.[60]
A. O. Scott wrote that Will Smith gave a "graceful and effortless performance" and also noted the "third-act collapse". He felt that the movie "does ponder some pretty deep questions about the collapse and persistence of human civilization".[61] Dana Stevens of Slate wrote that the movie lost its way around the hour mark, noting that "the Infected just aren't that scary."[29] NPR critic Bob Mondello noted the film's subtext concerning global terrorism and that this aspect made the film fit in perfectly with other, more direct cinematic explorations of the subject.[62] Richard Roeper gave the film a positive review on the television program At the Movies with Ebert & Roeper, commending Will Smith as being in "prime form", also saying there are "some amazing sequences" and that there was "a pretty heavy screenplay for an action film."[63] The film has been criticized for diverging from Matheson's novel, especially in its portrayal of a specifically Christian theme.[64] Much of the negative criticism has concerned the film's third act,[36][37][65] some critics favoring the alternative ending in the DVD release.[51]
Popular Mechanics published an article on December 14, 2007,[66] addressing some of the scientific issues raised by the film:
- the rate of deterioration of urban structures, infrastructure, and survival of fauna and flora
- the plausibility of a retrovirus spreading out of control as depicted in the film (The measles virus depicted in the film, however, is not a retrovirus, but is in fact a part of the Paramyxovirus family.)
- the mechanics of the Brooklyn Bridge's destruction
Philosopher Slavoj Zizek criticized the film politically as being the most regressive adaptation from the novel. He claimed that while the original novel had a progressive multicultural message where Neville became a "legend" to the new creatures and is subsequently killed by them (much like vampires were legends to humans), the 2007 film finds a cure for the Darkseekers and it is delivered by a survivor through apparent divine intervention. According to Zizek, this misses the original message and "openly opt[s] for religious fundamentalism."[67]
Accolades I Am Legend earned four nominations for the Visual Effects Society awards,[68] and was also nominated for Outstanding Performance by a Stunt Ensemble at the Screen Actors Guild Awards,[69] Outstanding Film and Actor at the Image Awards,[70] and Best Sound at the Satellite Awards. In June 2008, Will Smith won a Saturn Award for Best Actor.[71] Will Smith also won the MTV Movie Awards for Best Male Performance.[72]
Possible sequel or prequel Francis Lawrence said in late 2008 that there would be a prequel and that Will Smith would be reprising his role. He stated that the film would reveal what happens to Neville before the infected take over New York. D. B. Weiss was recruited to write the script, while Lawrence would direct "if we figure out the story". Smith stated the film would have Neville and his team going from New York City to Washington, D.C. and back again, as they made their last stand.[73] The film would again explore the premise of what it is like to be alone, as Lawrence explained, "... the tough thing is, how do we do that again and in a different way?"[74]
On May 3, 2011, Francis Lawrence stated that, so far as it involved him, the prequel was dead, with Lawrence stating, "I don't think that's ever going to happen."[75]
In 2012, Warner Bros. announced that deals had been made to produce "another installment" (not necessarily the rumored prequel), with the intention of having Will Smith reprise his role.[76]
I Am Legend is a 1954 horror fiction novel by American writer Richard Matheson. It was influential in the development of the zombie genre and in popularizing the concept of a worldwide apocalypse due to disease. The novel was a success and was adapted to film as The Last Man on Earth in 1964, as The Omega Man in 1971, and as I Am Legend in 2007, along with a direct-to-video 2007 production capitalizing on that film, I Am Omega. The novel was also the inspiration behind the 1968 film Night of the Living Dead.
Plot summary Robert Neville is the apparent sole survivor of a pandemic whose symptoms resemble vampirism. It is said that the pandemic was caused by a war, and that it was spread by dust storms in the cities and an explosion in the mosquito population. The narrative details Neville's daily life in Los Angeles as he attempts to comprehend, research, and possibly cure the disease, to which he is immune. Neville's past is revealed through flashbacks; the disease claimed his wife and daughter, and he was forced to kill his wife after she seemingly rose from the dead as a vampire and attacked him.
Neville survives by barricading himself by sunset inside his house, further protected by garlic, mirrors, and crucifixes. Swarms of vampires, led by Neville's neighbor, Ben Cortman, regularly surround his house, trying to find ways to get inside. During the day, he scavenges for supplies and searches out the inactive vampires, driving stakes into their hearts to kill them. He finds brief solace in a stray dog that finds its way to his house. Desperate for company, Neville slowly earns the dog's trust with food and brings it into the house. Despite his efforts, the dog proves to be infected and dies a week later.
After bouts of depression and alcoholism, Neville decides to find out the scientific cause of the pandemic. He obtains books and other research materials from a library, and through painstaking research discovers the root of the disease in a strain of bacteria capable of infecting both deceased and living hosts. He also discovers that the vampires are affected by the garlic, mirrors, and crosses because of "hysterical blindness", the result of previous psychological conditioning of the infected. Driven insane by the disease, the infected now react as they believe they should when confronted with these items. Even then, their reaction is constrained to the beliefs of the particular person; for example, a Christian vampire would fear the cross, but a Jewish vampire would not.
Neville also discovers more efficient means of killing the vampires, other than just driving a stake into their hearts. This includes exposing them to direct sunlight (which kills the bacteria) or inflicting deep wounds on their bodies so that the bacteria switch from being anaerobic symbionts to aerobic parasites, rapidly consuming their hosts when exposed to air. He is now killing such large numbers of vampires in his daily forays that his nightly visitors have diminished significantly.
After three years, Neville sees an apparently uninfected woman, Ruth, abroad in the daylight, and captures her. After some convincing, Ruth tells him her story of how she and her husband survived the pandemic (though her husband was killed two weeks earlier). Neville is puzzled by the fact that she is upset when he speaks of killing vampires; he thinks that if her story of survival was true, she would have become hardened to the act. He attempts to test whether she is a vampire by exposing her to garlic, which causes her to recoil violently. At night Neville is startled awake and finds Ruth fully clothed at the front door of the house. Suspicious, he questions her motives, but relates the trauma of his past, whereupon they comfort each other. Ruth reluctantly allows him to take a blood sample but knocks him unconscious when the sample reveals that she is infected.
When he wakes, Neville discovers a note from Ruth confessing that she is actually infected and that Neville was responsible for her husband's death. Ruth admits that she was sent to spy on him. The infected have slowly overcome their disease until they can spend short periods of time in sunlight, and are attempting to build a new society. They have developed medication which helps them to overcome the most severe symptoms of the infection. Ruth warns Neville that her people will attempt to capture him, and that he should leave his house and escape to the mountains.
Neville cannot bring himself to leave his house, however, and assumes that he will be captured and treated fairly by the new society. Infected members of the new society eventually attack the house. During the attack, the members of the new society violently dispatch the other vampires outside the house, and Neville becomes alarmed at the grim enjoyment they appear to take from this task. Realising that the intention of the attackers may be to kill him rather than to capture him he tries to defend himself with a pistol, leading to one of the infected shooting and badly injuring him.
Neville wakes in a barred cell where he is visited by Ruth, who informs him that she is a ranking member of the new society but, unlike the others, does not resent him. Ruth attempts to present a facade of indifference to Neville, but is unable to maintain it during her discussion with him. After discussing the effects of Neville's vampire killing activities on the new society, she acknowledges the need for Neville's execution and gives him pills, claiming they will "make it easier". Fatally injured, Neville accepts his fate and asks Ruth not to let this society become heartless. Ruth kisses him and leaves.
Neville goes to his prison window and sees the infected waiting for his execution. He now sees that the infected view him with the same hatred and fear that he once felt for the vampires; he realizes that he, a remnant of old humanity, is now a legend to the new race born of the infection. He recognises that their desire to kill him is not something he can condemn. As the pills take effect, he thinks: "[I am] a new superstition entering the unassailable fortress of forever. I am legend".
Critical reception As related from In Search of Wonder (1956), Damon Knight wrote:[1]
The book is full of good ideas, every other one of which is immediately dropped and kicked out of sight. The characters are child's drawings, as blank-eyed and expressionless as the author himself in his back-cover photograph. The plot limps. All the same, the story could have been an admirable minor work in the tradition of Dracula, if only the author, or somebody, had not insisted on encumbering it with the year's most childish set of 'scientific' rationalizations.
Galaxy reviewer Groff Conklin described Legend as "a weird [and] rather slow-moving first novel ... a horrid, violent, sometimes exciting but too often overdone tour de force."[2] Anthony Boucher praised the novel, saying "Matheson has added a new variant on the Last Man theme ... and has given striking vigor to his invention by a forceful style of storytelling which derives from the best hard-boiled crime novels".[3]
Dan Schneider from International Writers Magazine: Book Review wrote in 2005:[4]
... despite having vampires in it, [the novel] is not a novel on vampires, nor even a horror nor sci-fi novel at all, in the deepest sense. Instead, it is perhaps the greatest novel written on human loneliness. It far surpasses Daniel Defoe’s Robinson Crusoe in that regard. Its insights into what it is to be human go far beyond genre, and is all the more surprising because, having read his short stories--which range from competent but simplistic, to having classic Twilight Zone twists (he was a major contributor to the original TV series)--there is nothing within those short stories that suggests the supreme majesty of the existential masterpiece I Am Legend was aborning.
In 2012, the Horror Writers Association gave I Am Legend the special Vampire Novel of the Century Award.[5]
Influence Although Matheson calls the assailants in his novel "vampires", and though their condition is transmitted through blood and garlic is an apotropaic-like repellant, there is little similarity between them and vampires as developed by John William Polidori and his successors, which come straight out of the gothic novel tradition. I Am Legend influenced the zombie genre and popularized the concept of a worldwide zombie apocalypse.[6] Although the idea has now become commonplace, a scientific origin for vampirism or zombies was fairly original when written.[7] According to Clasen:[8]
"I Am Legend is the product of an anxious artistic mind working in an anxious cultural climate. However, it is also a playful take on an old archetype, the vampire (the reader is even treated to Neville’s reading and put-down of Bram Stoker's Dracula). Matheson goes to great lengths to rationalize or naturalize the vampire myth, transplanting the monster from the otherworldly realms of folklore and Victorian supernaturalism to the test tube of medical inquiry and rational causation. With I Am Legend, Matheson instituted the germ theory of vampirism, a take on the old archetype which has since been tackled by other writers (notably, Dan Simmons in Children of the Night from 1992)."
Though referred to as "the first modern vampire novel",[9] it is as a novel of social theme that I Am Legend made a lasting impression on the cinematic zombie genre, by way of director George A. Romero, who acknowledged its influence and that of its 1964 adaptation, The Last Man on Earth, upon his seminal film Night of the Living Dead (1968).[6][10][11][12] Discussing the creation of Night of the Living Dead, Romero remarked, "I had written a short story, which I basically had ripped off from a Richard Matheson novel called I Am Legend."[13] Moreover, film critics noted similarities between Night of the Living Dead (1968) and The Last Man on Earth (1964).[14][15]
Stephen King said, "Books like I Am Legend were an inspiration to me".[16] Film critics noted that the British film 28 Days Later (2002) and its sequel 28 Weeks Later both feature a rabies-type plague ravaging Great Britain, analogous to I Am Legend.[17]
Plot summary Robert Neville is the apparent sole survivor of a pandemic whose symptoms resemble vampirism. It is said that the pandemic was caused by a war, and that it was spread by dust storms in the cities and an explosion in the mosquito population. The narrative details Neville's daily life in Los Angeles as he attempts to comprehend, research, and possibly cure the disease, to which he is immune. Neville's past is revealed through flashbacks; the disease claimed his wife and daughter, and he was forced to kill his wife after she seemingly rose from the dead as a vampire and attacked him.
Neville survives by barricading himself by sunset inside his house, further protected by garlic, mirrors, and crucifixes. Swarms of vampires, led by Neville's neighbor, Ben Cortman, regularly surround his house, trying to find ways to get inside. During the day, he scavenges for supplies and searches out the inactive vampires, driving stakes into their hearts to kill them. He finds brief solace in a stray dog that finds its way to his house. Desperate for company, Neville slowly earns the dog's trust with food and brings it into the house. Despite his efforts, the dog proves to be infected and dies a week later.
After bouts of depression and alcoholism, Neville decides to find out the scientific cause of the pandemic. He obtains books and other research materials from a library, and through painstaking research discovers the root of the disease in a strain of bacteria capable of infecting both deceased and living hosts. He also discovers that the vampires are affected by the garlic, mirrors, and crosses because of "hysterical blindness", the result of previous psychological conditioning of the infected. Driven insane by the disease, the infected now react as they believe they should when confronted with these items. Even then, their reaction is constrained to the beliefs of the particular person; for example, a Christian vampire would fear the cross, but a Jewish vampire would not.
Neville also discovers more efficient means of killing the vampires, other than just driving a stake into their hearts. This includes exposing them to direct sunlight (which kills the bacteria) or inflicting deep wounds on their bodies so that the bacteria switch from being anaerobic symbionts to aerobic parasites, rapidly consuming their hosts when exposed to air. He is now killing such large numbers of vampires in his daily forays that his nightly visitors have diminished significantly.
After three years, Neville sees an apparently uninfected woman, Ruth, abroad in the daylight, and captures her. After some convincing, Ruth tells him her story of how she and her husband survived the pandemic (though her husband was killed two weeks earlier). Neville is puzzled by the fact that she is upset when he speaks of killing vampires; he thinks that if her story of survival was true, she would have become hardened to the act. He attempts to test whether she is a vampire by exposing her to garlic, which causes her to recoil violently. At night Neville is startled awake and finds Ruth fully clothed at the front door of the house. Suspicious, he questions her motives, but relates the trauma of his past, whereupon they comfort each other. Ruth reluctantly allows him to take a blood sample but knocks him unconscious when the sample reveals that she is infected.
When he wakes, Neville discovers a note from Ruth confessing that she is actually infected and that Neville was responsible for her husband's death. Ruth admits that she was sent to spy on him. The infected have slowly overcome their disease until they can spend short periods of time in sunlight, and are attempting to build a new society. They have developed medication which helps them to overcome the most severe symptoms of the infection. Ruth warns Neville that her people will attempt to capture him, and that he should leave his house and escape to the mountains.
Neville cannot bring himself to leave his house, however, and assumes that he will be captured and treated fairly by the new society. Infected members of the new society eventually attack the house. During the attack, the members of the new society violently dispatch the other vampires outside the house, and Neville becomes alarmed at the grim enjoyment they appear to take from this task. Realising that the intention of the attackers may be to kill him rather than to capture him he tries to defend himself with a pistol, leading to one of the infected shooting and badly injuring him.
Neville wakes in a barred cell where he is visited by Ruth, who informs him that she is a ranking member of the new society but, unlike the others, does not resent him. Ruth attempts to present a facade of indifference to Neville, but is unable to maintain it during her discussion with him. After discussing the effects of Neville's vampire killing activities on the new society, she acknowledges the need for Neville's execution and gives him pills, claiming they will "make it easier". Fatally injured, Neville accepts his fate and asks Ruth not to let this society become heartless. Ruth kisses him and leaves.
Neville goes to his prison window and sees the infected waiting for his execution. He now sees that the infected view him with the same hatred and fear that he once felt for the vampires; he realizes that he, a remnant of old humanity, is now a legend to the new race born of the infection. He recognises that their desire to kill him is not something he can condemn. As the pills take effect, he thinks: "[I am] a new superstition entering the unassailable fortress of forever. I am legend".
Critical reception As related from In Search of Wonder (1956), Damon Knight wrote:[1]
The book is full of good ideas, every other one of which is immediately dropped and kicked out of sight. The characters are child's drawings, as blank-eyed and expressionless as the author himself in his back-cover photograph. The plot limps. All the same, the story could have been an admirable minor work in the tradition of Dracula, if only the author, or somebody, had not insisted on encumbering it with the year's most childish set of 'scientific' rationalizations.
Galaxy reviewer Groff Conklin described Legend as "a weird [and] rather slow-moving first novel ... a horrid, violent, sometimes exciting but too often overdone tour de force."[2] Anthony Boucher praised the novel, saying "Matheson has added a new variant on the Last Man theme ... and has given striking vigor to his invention by a forceful style of storytelling which derives from the best hard-boiled crime novels".[3]
Dan Schneider from International Writers Magazine: Book Review wrote in 2005:[4]
... despite having vampires in it, [the novel] is not a novel on vampires, nor even a horror nor sci-fi novel at all, in the deepest sense. Instead, it is perhaps the greatest novel written on human loneliness. It far surpasses Daniel Defoe’s Robinson Crusoe in that regard. Its insights into what it is to be human go far beyond genre, and is all the more surprising because, having read his short stories--which range from competent but simplistic, to having classic Twilight Zone twists (he was a major contributor to the original TV series)--there is nothing within those short stories that suggests the supreme majesty of the existential masterpiece I Am Legend was aborning.
In 2012, the Horror Writers Association gave I Am Legend the special Vampire Novel of the Century Award.[5]
Influence Although Matheson calls the assailants in his novel "vampires", and though their condition is transmitted through blood and garlic is an apotropaic-like repellant, there is little similarity between them and vampires as developed by John William Polidori and his successors, which come straight out of the gothic novel tradition. I Am Legend influenced the zombie genre and popularized the concept of a worldwide zombie apocalypse.[6] Although the idea has now become commonplace, a scientific origin for vampirism or zombies was fairly original when written.[7] According to Clasen:[8]
"I Am Legend is the product of an anxious artistic mind working in an anxious cultural climate. However, it is also a playful take on an old archetype, the vampire (the reader is even treated to Neville’s reading and put-down of Bram Stoker's Dracula). Matheson goes to great lengths to rationalize or naturalize the vampire myth, transplanting the monster from the otherworldly realms of folklore and Victorian supernaturalism to the test tube of medical inquiry and rational causation. With I Am Legend, Matheson instituted the germ theory of vampirism, a take on the old archetype which has since been tackled by other writers (notably, Dan Simmons in Children of the Night from 1992)."
Though referred to as "the first modern vampire novel",[9] it is as a novel of social theme that I Am Legend made a lasting impression on the cinematic zombie genre, by way of director George A. Romero, who acknowledged its influence and that of its 1964 adaptation, The Last Man on Earth, upon his seminal film Night of the Living Dead (1968).[6][10][11][12] Discussing the creation of Night of the Living Dead, Romero remarked, "I had written a short story, which I basically had ripped off from a Richard Matheson novel called I Am Legend."[13] Moreover, film critics noted similarities between Night of the Living Dead (1968) and The Last Man on Earth (1964).[14][15]
Stephen King said, "Books like I Am Legend were an inspiration to me".[16] Film critics noted that the British film 28 Days Later (2002) and its sequel 28 Weeks Later both feature a rabies-type plague ravaging Great Britain, analogous to I Am Legend.[17]
